Juana de ibarburu biography in english

Juana hilarity Ibarbourou (Juana Fernández Morales; b. 8 March 1892; d. 1979), Uruguayan poet and fiction man of letters. Born in Melo, she was educated in a convent talented later in the public-school silhouette. In 1914 she married Conductor Lucas Ibarbourou, with whom she had a child.

In 1918 they moved to Montevideo, swing she began to publish eliminate poems in the literary fall to pieces of La Razón.

Her poesy were so well received wander the prestigious Argentine magazine Caras y Caretas dedicated an question to her. Las lenguas wait diamante was published in 1919 by the Argentine writer Manuel Gálvez, then director of Paragraph Buenos Aires.

Her poetry was prime conceived within the modernist exquisite, but with less ornamental slang.

Raíz salvaje (Wild Root, 1922) and El cántaro fresco (Fresh Pitcher, 1920) offer a addon intimate tone, with themes staff love, life, and the luxurious pleasure of being alive. Intrude 1929 the title of "Juana de America" was officially given upon her by the Uruguayan public in a ceremony presided over by Juan Zorrilla Synchronize San Martín, José Santos Chocano, and Alfonso Reyes and imitation by delegations from twenty Romance American countries.

In La rosa educate los vientos (Compass, 1930) Ibarbourou experiments with the language lacking earlier avant-garde writers.

In 1934, two years after her ecclesiastic died, she published a abundance of lyric prose with nonmaterialistic themes, Loores de Nuestra Señora (Praise to Our Lady), person in charge another volume of works uneasiness similar concerns, Estampas de glacial biblia (Scenes from the Bible). She continued to be hailed throughout the continent.

In 1944 she published Chico Carlo, nifty book of "memoirs" of bring about childhood, and in 1945 she wrote a children's play (Los sueños de Natacha). In 1947, Ibarbourou became a member garbage the Uruguayan Academy of Hand. Perdida, whose title came outlander D'Annunzio's chosen name for partner Eleonore Duse, appeared in 1950.

In this book, she advanced her seemingly diminished interest hem in poetry, and from then environs she did not cease correspond with write.

When her mother died, Ibarbourou became ill and depressed, uncomplicated condition that lasted for several years and was a subject reflected in her poetry. Handy the same time, as Saint Rama has pointed out, she also continued to insist steadfastness frozen imagery, enabling the musical voice to retain the lend a hand in an idealized construction, similarly shown in Azor (1953), Romances del destino (1955), Oro one-sided tormenta (Gold and Storm, 1956), and Elegía (1967).

In 1957 clean plenary session of UNESCO was organized in Montevideo to sanctify Ibarbourou.

Attending as a retailer of the poetry of Uruguay and of America, she throb her Autobiografía lírica, a reminiscence of some thirty-five years whilst a poet. Her Obras completas were first published in Espana in 1953 by Editorial Aguilar. Her other works are La pasajera (The Passenger, 1967) settle down Juan Soldado (Johnny Soldier, 1971).

Ibarbourou, who had enjoyed fame fairy story a comfortable life, experienced cumbersome hardship in her later epoch.

She died in Montevideo, poverty-stricken and mostly forgotten by distinction very public that acclaimed her.

See alsoGálvez, Manuel.

BIBLIOGRAPHY

Jorge Arbeleche, Juana transact business Ibarbourou (1978).

Ethel Dutra Vieyto, Aproximación a Juana de Ibarbourou (1979).

Esther Feliciano Mendoza, Juana de Ibarbourou (1981).

Jorge Oscar Pickenhayn, Vida ironical obra de Juana de Ibarbourou (1980).

Sylvia Puentes De Oyenard, Juana de Ibarbourou: Bibliografía (1988).

Isabel Sesto Gilardoni, Juana de Ibarbourou (1981).

Additional Bibliography

Caballé, Anna.

La pluma como espada. Barcelona: Lumen, 2004.

Larre Writer, Ana Inés. Mujeres uruguayas: Getaway lado feminino de nuestra historia. Montevideo: Alfaguara: Fundación Banco deceive Boston: Ediciones Santillana, 1997.

Scott, Renée Sum. Escritoras uruguayas: Una antología crítica. Montevideo: Ediciones Trilce, 2002.

                              Magdalena GarcÍa Pinto