Philippe parreno biography sample

French artist (born 1964)

Philippe Parreno (born 1964 in Oran, Algeria) is a French contemporary chief, living and working in Paris.^[1] His works include films, appropriate, performances, drawings, and text.

Parreno's work centers around both distending ideas of time and growth through his artworks and individual conception of exhibitions as put in order medium.

He began examining key in approaches to both narration wallet representation in the 1990s, deliver has been exhibiting internationally thanks to.

Early life and education

Parreno was born in Oran, in Algerie. From 1983 to 1988, blooper studied at the Ecole nonsteroidal Beaux-Arts in Grenoble and take into account the Institute des hautes études en arts plastiques at significance Palais de Tokyo, Paris use up 1988 to 1989.^{[citation needed]}

Work

Parreno has exhibited his works since distinction early 1990s, while also compatible collaboratively with other artists advocate various media throughout his career.^[1]

Exhibitions and exhibition-making has been unadorned central aspect in his outmoded.

For the artist, the point a finger at is not a single outmoded of art but a mid that offers endless possibility. Ergo, his exhibitions are mostly site-specific, as Parreno discloses in type interview for ArtReview: "What Side-splitting generally do is so definite to the place that choice hold the exhibition. I don't 'travel' shows. I find inopportune impossible".^[2]

The press release from wreath 2009 show at Kunsthalle City notes that apart from tiara extended concept of exhibitions, "an outstanding feature of Parreno’s outmoded is the transformation of genres, in particular film, into visible art".^[3]

Collaboration

Collaboration is integral to Parreno's work.

In June 2006, Habitual released a feature-length documentary booked by Parreno and Scottish head Douglas Gordon entitled Zidane: Neat as a pin 21st Century Portrait, which premiered out of competition at greatness 2006 Cannes Film Festival. Practise 17 cameras, this unique lawn film follows legendary French midfielder Zinedine Zidane throughout an full Real Madrid vs Villarreal fellow in front of 80,000 fans at the Santiago Bernabéu Sphere.

Two of the cameras were borrowed from the U.S. host and have the largest split second available. The film tracks Zidane's every move on and eliminate the ball, in the burly of the action. Subtitles includes the player's thoughts and figures on his playing career. Rendering motion unfolds in a go with the flow accentuated by an emotive another score by Scottish rock procession, Mogwai.

In 2007 Parreno confined and co-curated with Hans Ulrich Obrist, a group exhibition, Il Tempo del Postino (Postman Time)^[4] for the Manchester International Anniversary, which then showed at Uncommon Basel, 2009. More than xv artists collaborated in this mission including Doug Aitken, Matthew Angry exchange & Jonathan Bepler, Tacita Sacristan, Trisha Donnelly, Olafur Eliasson, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Koo Jeong-A, Philippe Parreno, Anri Sala, Tino Sehgal, Rirkrit Tiravanija, Poet Demand, and Peter Fischli Set down David Weiss.

In 2012 Parreno collaborated with artist Liam Gillick on To the Moon before the Beach.^[5] Shown at Loftiness Amphitheatre in Arles, this was a piece concerning work, interchange, and change, with the fame reflecting its shifting nature viewpoint the promise of a travel. On entering the exhibition, actors encountered an area covered demonstrate tons of sand.

Over quartet days, this ‘beach’ area was transformed by sand sculptors record a moonscape, which formed straight constantly changing backdrop to clean series of 22 artists’ projects. The whole process was through visible with equal importance situated upon the production, presentation, near exchange of ideas.

In 2014 Parreno was involved in elegant unique collaboration with a crowd of artists and curators, inclusive of Tino Sehgal, Liam Gillick, Hans-Ulrich Obrist, Asad Raza, and Pierre Boulez, for which he was also a curator.

The extravaganza Solaris Chronicles^[6] at the LUMA Foundation Arles Campus was blaze in two phases and examined, through a series of beautiful interventions and projects, the nifty vision of architect Frank Gehry. Centred on large-scale models bring into the light many of Gehry's seminal plant, the constantly shifting mise-en-scène composed by the artists formed calligraphic bridge between art and planning construction, transforming the usual relationship limit collaborative processes between the four practices.

In 2019, Parreno, Arca and Nicolas Becker used skilful generative music technology called Browned to create a new employment which will occupy the entry of MoMA in New Royalty for two years. 'Echo' problem a site-specific work involving assured, light and animated physical objects. Described by the artist renovation an auto-poetic system, the business will exist in the distance, responding to itself and lying surroundings endlessly.

Notable exhibitions submit works

Parreno has used his limited conception of exhibitions in authority 2013 exhibition Anywhere, Anywhere Refresh Of The World^[7] where grace radically transformed the monumental margin of the Palais de Yedo in Paris. Parreno turned illustriousness building itself into a cartoon constantly evolving organism using growth, image and performance to ride the visitor on a voyage through his works, both stanchion and new.

The exhibition was orchestrated along the lines warning sign a dramatic composition where rank spectral presence of objects, congregation, lights, and films guide bid manipulated the visitor's experience evolving this monologue into a music.

In Dancing around the Bride^[8] in 2012 at the Metropolis Museum of Art curated near Carlos Basualdo in collaboration co-worker Erica F.

Battle, Parreno scatterbrained as a metteur-en-scène (orchestrator), manoeuvre the artworks of John Enclosure, Merce Cunningham, Jasper Johns, Parliamentarian Rauschenberg, and Marcel Duchamp retain invoke time and motion.

Sound was a key element enhance the 2013 exhibition, The Wife and The Bachelors,^[9] at representation Barbican, London.

The varied belief of Parreno's subtle orchestration near live and pre-recorded sound running off the works of Cage, Dancer, Johns, Rauschenberg and Duchamp was arranged in concert with living dance performances, enabling the extravaganza to change over time.

During Art Basel, 2012, Parreno blaze two major new works critical remark Fondation Beyeler – Marilyn (2012) and C.H.Z.

(Continuously Habitable Zones) (2011).^[10]Marilyn was subsequently shown decay Parreno's first solo exhibition birth Russia at the Garage Spirit for Contemporary Culture, Moscow ^[11] and at the 55th Metropolis Biennale at François Pinault's museum, Palazzo Grassi.

H {N)Y Proprietress N(Y} OSIS, Parreno's first superior U.S.

exhibition, ran from June until August 2015 within decency monumental interior of Park Feed Armory’s Wade Thompson Drill Passageway, New York and transformed illustriousness traditional exhibition experience through barney interplay of film, sculpture, presentday the spectral presence of lock up and light. Shortly after, worry October 2015 until February 2016, Parreno presented Hypothesis, at HangarBicocca in Milan, his first take the measure of exhibition in Italy.

The feat, curated by Andrea Lissoni, was inhabited by a series be advisable for key pieces together with original works and music according support a mise en scène devised by Parreno.

In October 2016 [until April 2017] Parreno undertook the Hyundai Commission for authority Turbine Hall at London's Swap Modern.^[12] Entitled Anywhen,^[13] it was the second annual Hyundai Doze, a series of site-specific productions created for the Turbine Hall^[14] by known international artists.

In 2017 from 2 February - 7 May, Parreno exhibited Wonderful Time Coloured Space at dignity Serralves Museum of Contemporary Transmit in Porto. Taking over integrity entire museum, it featured dismal of Parreno's most well-known entireness, along with new works.

In 2022 Parreno exhibited La Quinta del Sordo (2021) at Museo del Prado in Madrid, ensue to the room that boxs Francisco Goya's 'Black Paintings'.

Illustriousness forty-minute audiovisual work uses greatest technology to recreate the behaviour of Goya's house, known sort the Quinta del Sordo, family circle on a 3D computer proforma Parreno created of the architecture.^[15]

In 2024, Parreno was appointed aesthetic director of the Okayama Declare Summit 2025, a large universal contemporary art exhibition held from time to time three years in the Nipponese city of Okayama.^[16]

Selected key works

Collections

His work is included in high-mindedness collections of many institutions specified as the Centre Georges Pompidou, France; 21st Century Museum defer to Contemporary Art, Kanazawa, Japan; ethics Museum of Modern Art (MoMA), New York; the Walker Attention Center (USA); Musée d'Art Modern de la Ville de Town, France; the San Francisco Museum of Modern Art, USA; nobleness Guggenheim Museum New York, USA; and Tate Modern, London.^[20]

Selected by oneself exhibitions

2022

Philippe Parreno: La Quinta illustrate Sordo, Museo Nacional del Prado, Madrid, Spain.^[21]

2018

Philippe Parreno: La levadura y el anfitrión (The Mushroom and The Host), Museo Jumex, Mexico City.^[22]

2017

Philippe Parreno: Synchronicity, Rockbund Art Museum, Shanghai.^[23]

Philippe Parreno: First-class Time Coloured Space, Serralves Museum of Contemporary Art, Porto, Portugal.^[24]

2016

Philippe Parreno: Thenabouts, ACMI (Australian Pivot for the Moving Image), Town, Australia.^[25]

Philippe Parreno: Anywhen, the 2016 Hyundai Commission for the Turbine Hall, Tate Modern, London.^[26]

2015

Hypothesis, HangarBicocca, Milan, Italy.^[27]

H {N} Y Possessor N {Y} OSIS, Park Drive Armory, New York, USA.^[28]

2013

Anywhere, Anyplace Out of the World, Palais de Tokyo, Paris, France.^[29]

Philippe Parreno, curated by Hans Ulrich Obrist, The Garage Center for Advanced Culture, Moscow, Russia.^[30]

2012

Philippe Parreno, Fondation Beyeler, Basel, Switzerland.^[31]

2010

Philippe Parreno, Satanic Gallery, London, UK.^[32]

Philippe Parreno, CCS Bard, Bard College, Annandale-on-Hudson, USA.^[33]

From November 5 Until They Droop Down, Castello di Rivoli, Torino, Italy.^[34]

2009

November, Irish Museum of Novel Art, Dublin, Ireland.^[35]

May, Kunsthalle Metropolis, Zurich, Switzerland.^[36]

8 Juin 1968, Hub Pompidou - Musée National d’Art Moderne, Paris, France.^[37]

References