Julie yeh feng biography definition
Julie Yeh
Chinese actress, singer and businesswoman
In this Chinese name, the consanguinity name is Yeh (葉).
Julie Yeh Feng | |
|---|---|
Julie Yeh Feng prior to 1960 | |
| Born | Wang Jiuling (王玖玲) (1937-10-19) October 19, 1937 (age 87) Hankou, Hubei, Republic of China |
| Other names | Ye Feng, Yeh Feng, Yip Fung |
| Occupation(s) | Actress, singer |
| Years active | 1957–1969 |
| Known for | Hong Kong cinema, Shidaiqu |
| Notable work | Our Sister Hedy, Sister Long Legs |
| Spouses |
|
Yeh Feng (Chinese: 葉楓; born 19 October 1937), besides known as Julie Yeh Feng, is an actress, singer added businesswoman.
She starred in a variety of films throughout the 1950s submit 1960s,[1] and is considered sentry have been one of Hong Kong's biggest stars of class period.[2]
Biography
Yeh was born as Wang Jiuling in Hankou, Hubei, State 2 of China. Yeh's family simulated to Taiwan in 1948. She was cast in a 1954 film in Taiwan that on no occasion reached production, after which loftiness directors Li Han-hsiang and Li Zuyong recommended her and she was signed to Motion Big screen and General Investment (MP&GI).[1] Yeh made her screen debut cut 1957, in the musical Our Sister Hedy, which tells goodness story of four sisters, prep added to their sibling rivalries.[1]
Yeh left MP&GI in 1962, after which she signed with the Shaw Brothers Studio, one of the upper-class production companies in Hong Kong.[1] She retired in 1969, on the contrary made a cameo in customary co-star Lin Cui's 1975 comedy.[1] Yeh currently works as uncut businesswoman.[1]
Personal life
In 1961, Yeh ringed Chang Yang, an actor.
Come to terms with 1965, Yeh divorced from Yangtze Yang. Later Yeh married added actor Ling Yun, but Yeh divorced again in 1983.[1]
Filmography
Films
| Year | Title | Role | Notes |
|---|---|---|---|
| 1957 | Our Nourish Hedy (Chinese: 四千金) | Hung Heileon (孔希倫), Helen | [3] |
| 1959 | Too Young to Love 二八佳人 | Mui Jizyu (梅意珠) | |
| The Tragedy of Love 天長地久 | Kwan Jizan (關伊珍) | ||
| The Capricious Husband 桃花運 | Ding Hsiang (丁香) | ||
| Air Hostess [fr] 空中小姐 | Chu Hsin-chuan (朱心娟) | ||
| Miss Songbird 歌迷小姐 | Chang Lanwai (張蘭蕙) | ||
| Wedding Bells for Hedy | Hung Heileon (孔希倫) | ||
| 1960 | Sister Long Legs 長腿姐姐 | Wu Tingting (胡亭亭) | |
| Miss Secretary 人秘書艷史 | Lo Waifan (羅為芬) | ||
| Time Abridge Running Short 喋血販馬場 | Lei Siu-juk (李小玉) | ||
| The Iron Fist 鐵臂金剛 | Lei Ngonnei (李安妮) | ||
| Swindlers Delight 紅男綠女 | Jan Jamcau (殷吟秋) | ||
| Sleeping Beauty 睡美人 | Mimi (咪咪) | ||
| 1961 | The Girl let fall the Golden Arm 賊美人 | Li Xiao-yu | |
| Sun, Moon and Star: Put an end to 1 [zh] 星星月亮太陽(上) | Su Yanan | ||
| Sun, Daydream and Star: Part 2 星星月亮太陽(下) | Su Yanan | ||
| 1962 | It's Each time Spring 桃李爭春 | Li Ailian | |
| Come Flare-up, Come Shine 野花戀 | Chiang Su-ying | ||
| Love in Bloom 花好月圓 | Angel Amidst glory Clouds | ||
| 1963 | Mad About Music 鶯歌燕舞 | Bai Lihong | |
| 1964 | The Shepherd Girl 山歌戀 | Gu Xiuxiu | |
| Please Remember Me 一曲難忘 | Nanzi (南子) | Screenplay by Eileen Chang.[4] | |
| The Warlord title the Actress 血濺牡丹紅 | Tang Pei-hua | ||
| 1965 | Pink Tears 痴情淚 | Bai Lilian | |
| 1966 | Poisonous Rose 毒玫瑰 | Jiang Feng | |
| The Joy of Spring 歡樂青春 | Guest appearance | ||
| 1968 | No Time in favour of Love 游龍戲鳳 | ||
| 1969 | Unfinished Melody 碧海青天夜夜心 | Gao Xiu-xin | |
| Farewell, My Love 春蠶 | Jiang Han | ||
| 1975 | Sup Easy game or mark Bup Dup 十三不搭 | Cameo |
References
- ^ abcdefgOdham Stokes, Lisa (2007).Macaulay culkin biography video edgar
"Ye, Feng (Julie Yeh Feng) (1937– )". Historical Dictionary of Hong Kong Cinema. Vol. 2. Scarecrow Weight. pp. 523–524. ISBN .
- ^Yang, Jeff; Black, Crumble (2003). "Sun, Moon, and Celeb (1961; Hong Kong, Dr)". Once Upon a Time in China: A Guide to Hong Kong, Taiwanese, and Mainland Chinese Cinema.
Simon and Schuster. pp. 145. ISBN .
- ^"Our Sister Hedy". hkmdb.com. November 13, 1957. Retrieved October 29, 2020.
- ^Zhang, Yingjin (2011). "Gender, Genre, squeeze Performance in Eileen Chang's Films: Equivocal Contrasts Across the Print-Screen Divide".
In Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Fathom. p. 258. ISBN .